There’s nothing new about the painting itself. I was fascinated by the Japanese ukiyo-e art, and tried to create something in that style. The new things for me are the preparing of the paper and the final display.
To prepare the paper, I boiled 10 bags of Liption black tea in a pot, pour the water in a tray, and after it cooled, soaked the watercolor paper in it for a couple of hours. The result is a nicely tinted paper.
For display, I always find matting and framing of watercolor a chore, and that’s part of force driving me to acrylic painting in the beginning. I recently came across two videos on how to display watercolor painting without glass, or even frame. I am sure there are many other videos on the topic, but these are the ones I referenced:
- Brennie M Brown: Framing Watercolors without Glass
- Robert Burridge – BobBlast: A Contemporary Way to Frame and Exhibit your Modern Works on Paper
Simply put it, if you want to frame the artwork without glass:
- Glue the artwork onto gator board with acrylic gel medium, and let it dry overnight
- Varnish it with 2 coats of gloss and 2 coats of matte varnishes, in that order
- Frame it
If you want to display the artwork directly:
- Painted the edges of a cradled wood panel to desired color (this step is optional)
- Glue the artwork to the panel with acrylic gel medium, and let it dry overnight
- Varnish it (same as in previous method)
Mr. Burridge didn’t mention varnishing in his video, but I did it anyways. The result is a waterproof surface. There are artists online saying varnishing changes the color of their paintings. If you only use gloss varnish, the color will look more vibrant. If only matte varnish, it probably with dull or blur. I used both, and the result is fine. However, it always wise to test it on some old paintings first.