Copying Masters (9) and Morandi (1)

Some artists created wonders with limited subject matters. Like Cezanne, who famously claimed “with an apple I will astonish Paris.” He did, and the world. I don’t know if Italian artist Giorgio Morandi (1890-1964) ever made any statement about the bottles and jars, but he did say, “To achieve understanding it is necessary not to see many things, but to look hard at what you do see.” He did look at those bottles and jars of his very hard, for almost a life time.

Most of Morandi’s still life featuring nondescript household objects on tabletop against an unremarkable background. They look like a humble crowd pushed onto a stage, but nothing in the composition is random. Morandi spent days, even weeks arranging these objects. The assuming is carefully achieved. Just like his use of color. The paintings often have a monochromatic look, even though he employed a rich range of earthy colors.

There’s a sense of calm and tranquil in Morandi’s paintings that I find very attractive. Maybe because my own paintings are the opposite. Even when I limited my palette, the result is often loud or even noisy. My first copying attempts were done in watercolor. In retrospect, gouache could be a better choice. Here they are:

The originals:

Morandi, Natura morta, 1954
Morandi, Vase and Still Life, 36 x 40 cm, oil on canvas, 1951
Morandi, Natura morta, 40 x 46 cm, oil on canvas, 1954

My copies:

After Morandi, watercolor on paper, 9×12 in, 2018
After Morandi, watercolor on paper, 10 x 12, 2018

2 thoughts on “Copying Masters (9) and Morandi (1)

  1. Pingback: More on Monochromatic and Morandi | ZHI SU

  2. Pingback: Morandi (2) and Pairs (III) | ZHI SU

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