Experimenting with Materials (1) – Rice Paper

I did a watercolor painting on pre-matted rice paper (xuan paper) before, and I tried it again recently with different paints:

After Feiniaogongzuoshi, 12 x 12 in.
Crazy Hair Day, 8 x 8 in, June 2020
Kaydee, 8 x 8 in, June 2020
Nikki, 8 x 8, Jun 2020

A few notes:

  • The paper I used is something like this, but I bought it from China and it was a lot cheaper.
  • The first two paintings were done with Chinese paints that commonly used for brush painting on rice paper. The brand is Marie, and it’s available on Amazon.
  • “Kaydee” is done in sumi ink, a cheap one from Daiso.
  • “Nikki” is in western watercolor.
  • The Chinese colors are a lot more opaque and hold better on rice paper, which is very absorbent.
  • The western watercolor dries very light and very flat. I went back multiple times trying to enhance the value. When the paper is wet, the pigment swims away to wherever with a blink of eye.
  • There’s no lifting with rice paper after it’s dry. You can pat it with a tissue paper and lift some pigment, but you can’t get rid of edges that way.
  • Sumi ink is the most staining of all.
  • I absolutely don’t know how to apply the skills involved in the first painting (the rooster one) to the later ones.

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