I have a Strathmore black drawing paper pad that I bought for colored pencil drawings. Unfortunately after a few attempts, I came to the conclusion that colored pencil is too testing for my patience and on black paper, that’s even more so. A drawing like the following, to reach the desired effect (smoother skin, brighter color etc.), would need probably another 20 to 50 layers of coloring (or skills I don’t have to begin with):
So what to do with the rest of the paper? Gouache came to mind because the colors come thick and don’t need much water (or at least you can use it that way).
I very much like the effect, but as you can see there are wrinkles on paper caused by accidental water drops.
Here’s another one:
After I did these paintings, I found out that Stonehenge actually has a line of black watercolor paper. Order placed already, and stay tuned!
I know Crayola is a kid brand, and I don’t think Crayola Washable Markers are made for watercolor artists. However, for your daily doodling, and small art projects, they work wonders. The markers have conical tips that allow both broad and thin lines, and the colors are quite vibrant:
I recently got hold of a different brand, Tombow Dual Brush Pen Art Markers. You can see from the way it’s packaged (Primary, Secondary, Grayscale, Portrait etc.), Towbow is for artist. With a nylon brush on one side and a fine tip on the other, you can achieve more versatile marks with it. I tried Tombow and Crayola side by side and find them behave similarly:
A few notes:
I used 140lb watercolor paper, and all my paintings are small.
The colors are quite vibrant and they don’t dry lighter. However, if you have excessive water, it will wash the ink away.
You can go back lifting or adding colors. If you add colors with markers when the paper is wet, remember it is much hasher on the paper than applying watercolor with watercolor brushes.
As for lightfastness, both Crayola and Tombow claim their colors will fade over time. So maybe not use them in your masterpieces? The prickly pear flower one (top right) was on the wall without any protection for many years and I haven’t seen any color change yet.
Amedeo Modigliani is an Italian artist famous for his uniquely stylized portraits. I always like his paintings and attempted a study years before. Somehow Modigliani’s Madame Amédée reminded me of my neighbor’s cat, and my original plan was to use the composition of the original painting, and replace the head with that of a cat’s. It didn’t work out and I switched back to the lady. The result wasn’t much of a copy, and you can still see the trace of my deviation.
This is another try. This time it was not a copy, but I tried to stylize a self-portrait. I meant to focus on the inner world of subject, but somehow it was all spilled over into the background. As a result I went way beyond his typical palette, which is quite muted.
After learning drawing and painting humans for a while, I find myself even more fascinated by Modigliani’s ability to go beyond realist forms while stay true to the spirit and character of his subjects. I probably will do more studies of Modigliani in future.
Elegant Writer is a special type of water-soluble marker that bleeds in various colors. They have chiseled nibs and are probably made for calligraphy. I couldn’t remember when I bought my set, but somehow for many years, rarely used them. It’s time to give these markers a chance before they completely dry out.
Black Elegant Writer on paper:
Add water to the above drawing:
Blue and black:
Testing other colors:
A few notes:
I used regular Canson drawing paper, and I believe to what extend it’s soluble depends on paper. So test it.
The black one is the most interesting. It bleeds in blueish, greenish and reddish gray and really adds to the drawing.
The blue one gives out some pinkish hue in addition to blue, but the green, red and the brown ones are pretty much just their own colors.
The red, blue and green colors are more staining than black.
I have no training in calligraphy, but I can see a trained hand could produce more interesting lines with a chiseled nib.
I’ve been doing the 100 Day Art Challenge at New Masters Academy for a while. I chose to focus on the figures and portraits for this challenge. Here are the first 25 days of the paintings and drawings I’ve done.
Take a look (click on the thumbnail to see a bigger image) :
I love artworks with beautiful lines or expressive brush strokes. Mark making is an art in itself. One good way to practice line quality is to use a non erasable tool. I used a variety of pens before, dipping pen, micron pen, even ballpoint pen. This week I dug out a cheap fountain pen (the type that Chinese kids used in school to learn writing) and some Faber-Castell Pitt pen, and decided to practice hatching and cross hatching.
There are at least two ways to do hatching (cross or not), one is to follow the form to the object (with the direction of the lines), the other is to use one direction only, and let the value changes indicate the form. My plan was to use the latter approach and focus on value studies, but what I found out is that it’s very counterintuitive not to chase the form.
Faber-Castell is permanent, while fountain pen ink is somewhat water-soluble. I used a little bit water to wash over part of the drawing and reapplied lines here and there.
I find the sound of a pen scratching over paper very therapeutic, and hatching a great way to exercise control and study value.