I am quite into drawing and painting humans recently, both portrait and figure. I find it a great way to practice hand eye coordination, and overall drawing and painting skills. While human faces and bodies are complicated, they are more organized than landscape. Learn the anatomy and you’ll have a sure way to approach them. They are also less forgiving than many other subjects – when you do it wrong, it’s quite obvious.
As always, copying masters is an effective way of learning. This time I chose an early drawing by Gian Lorenzo Bernini (1598 – 1680), the father of Baroque sculpture. The drawing, Seated Male Nude, was collected by Princeton Art Museum. I am attracted to this drawing by its succinct use of marks, especially the highlights, so economic and so effective. I tried to draw on tinted paper before, and often ended up drawing a figure on top of the paper, instead of letting the color of the paper show through.
I figured if I wanted to let the paper work, I’d better keep it clean. So instead of jumping on it, I did some practice before hand. For example:
Finally, the copy:
A few notes:
- I am glad I did those hatchings last week. My lines are still not neat and organized as the master’s (of course), but the hatching practice do help.
- The preliminary studies paid off (I did more than those shown above). I did a very light-handed drawing first and managed not to disturb the paper too much (less erasing). The final lines are sharper and cleaner this way.
- I only recently started to pay attention to this issue. In both drawing and watercolor painting, if the paper is too disturbed, it affects the final result. I know some watercolor artist draw on a different piece of paper and then transfer the image to the watercolor paper (carbon paper, light box, projector etc.)
- I had a lot of fun drawing the effect of an old paper. LOL.