Red Roses and Pot, oil on canvas board, 11 x 14, 2022Roses, oil on canvas board, 11 x 14, 2022Pomegranates and Vase, oil on canvas board, 11 x 14, 2022Flowers and Vase, oil on canvas board, 11 x 14, 2022
According to Mr. Watts, there would be many more levels of still life courses after the gesture one. However, the people at the Atelier see no plans for new releases. I still have some catching up to do in the landscape area, but otherwise, I will focus on my own practice and projects in the coming months.
Lilies, oil on canvas board, 11 x 14, 2022Flowers and Shells, oil on canvas board, 11 x 14, 2022Sunflowers, oil on canvas board, 11 x 14, 2022Still Life, oil on canvas board, 11 x 14, 2022
The first one is a Zorn palette without time limit, and the rest are supposed to be gesture with an open palette. My plan is to finish the still life course soon, and I will write more about it when it’s all done.
2022 for me is not only moving on from the beloved Zorn palette, but also a broadening of the subject matters. The plan is to keep practicing portrait and still-life, with an emphasis on loosening up and becoming more gestural. Meanwhile, I will add landscape and later figures to the learning schedule. For medium, oil is the focus for now, but I’d like to do more watercolor sketches with or without ink.
Orchid and Buddha, 11 x 14, oil on canvas board, Dec. 2021Pines, 11 x 14, oil on canvas board, Jan. 2022Waves 1, 11 x 14, oil on board, Jan. 2022Old man, 11 x 14, oil on canvas board, Feb, 2022
A few notes:
Landscape is not a particular interest of mine, but for years, I used it as a check-mark to see if I have made any progress in techniques. After doing other subject matters for a while, I would attempt a few landscapes to see if I feel more confident and comfortable. It never did!
It took me some time to figure out that apart from value control, the key to a successful landscape painting is shape design. To deliver a believable tree, on surface you have more leeway than doing a portrait, but the lack of definitive guidance (the shape of an eye, a nose etc.), you need to come up with your own. That freedom can be a curse.
Looking above, it suddenly hits me that before doing trees, it might be a good idea to practice more bearded and hairy portraits first! 😉