I’ve been taking a life drawing class at a community college this year. My professor is great at teaching and extremely knowledgeable about anatomy. This is her last year at the school and she planned a happy ending to her teaching career and a smooth transition back to a full time artist. Now she has to move her class online through Zoom, and for someone who’s not particularly tech savvy, this is not easy. It’s been a couple of weeks now, but our class is still not on track. Meanwhile, she has found some really good materials for us to practice on our own. Here’s a list of stuffs she recommended and/or I’ve been using:
Proko – by Stan Prokopenko. It contains some of the best instruction videos on figure drawing. Enough free stuffs, but if you pay, more structured lessons and practice materials. I personally have been using this site for a while, and am a big fan of their Draftsmen Podcast.
New Masters Academy – They have a subscription plan that allows access to tons of good art classes or master classes. The free stuffs including many timed life drawing videos featuring photos of clothed or nude models.
Croquis Cafe – Videos and photos of models for life drawing. This is probably the closest you can get online to a real life drawing experience. Great models and so many to choose from. My only problem with it is that after they moved to Vimeo, the streaming is less smooth.
This is not just a time for staying in, but also coping, adapting and discovering!
I only recently came to know there’s such a thing called ink resist, and was pretty impressed by some of the artworks with this method. So I gave it a try. The result is a meh, but I l had fun and learned something.
So these are the steps I followed:
painting with gouache but leave some area blank; (some people leave only the pencil marks uncovered to achieve neat outlines)
after the painting is completely dry, covered the whole page with sumi ink;
again, wait till it’s completely dry, wash off the ink (I used the garden hose, no kidding.)
and again, wait till it’s dry, and went back to fix here and there. (This step is optional, but I wasn’t that lucky.)
And here are the things I learned:
Like drawing on black paper, this method is a bit counter-intuitive. The areas left blank in the first painting round will be the darkest after the wash. So planning ahead is important, which I didn’t do. In my painting, the blacks serve more like random texture than an organic part of the value pattern.
The paint should be thick, to “resist” the ink and also because gouache is easy to wash off.