Tag Archives: #wattsatelier

Busy with the Basics

After some deliberation, I signed up for Watts Atelier‘s online program in July. The program has a drawing and a painting part, and both start with the basics. There are video demos, handouts, and homework to turn in. It is probably good enough for the money even if you just watch Jeff Watts doing the demos, but you don’t want to skip anything to do it right. That is to say, it is not a small commitment.

Here are a couple of paintings from the Phase I Portrait and Phase I Still Life homework:

Still Life, burnt umber pick-out, August, 2021
Cast Quarter View, two color, August, 2021
Still Life, 3 colors, August, 2021
Skull Front View, 3 colors, August 2021

A few notes:

  • In Phase I, the painting routine starts with a single color, burnt umber, progress to two colors, burnt umber and white, and then 3 colors, phthalo-blue, black and white.
  • I will go back to Zorn in Phase II.
  • I sometimes wonder if I will become one of those forever learners: keep taking classes and never become a standalone artist. I feel so comfortable following a routine and not to think what to do next. On the other hand, it’s not like I have nailed the skill part already. So this is an experiment. Let’s see if the intensive training at Watts would eventually set me free by building confidence through skills.
  • Watts has some gouache courses but no watercolor. Jeff once said many amateurs started with watercolor, but it is actually a most challenging medium to excel in. I do feel I see value better and have more control over shape and edges with oil. I still hope to apply whatever I am learning to watercolor. It is such an expressive medium.

Zorn Palette Continued …

Aeris, oil on wood board, 11 x 14 in, May 2021
Woman with hat, oil on wood board, 11 x 14in, May 2021
Young woman, oil on wood board, 11 x 14 in, May 2021

I just realize that I almost skipped the entire month of May. Well, I have been painting and taking online lessons from New Masters Academy, Watts Atelier, and Sentient Academy. The art world is online! (There is a potential danger of being overwhelmed with too many good stuffs though 😂.)

I have continued working on portrait and oil with the Zorn palette (I talked about it here). There are still a lot of the basics about the oil medium that I need to grasp, such as keeping my paint clean, using layers, being mindful about brushstroke economy etc. These skills directly affect how far one could push the range of the Zorn palette. As muted as it is, there is drama to be laid out.

The last piece is a bit too much fun. I used Gamsol to dilute my paint and put on a thin layer of background in the beginning. Too much of it makes the paint “watery.” Normally I would wipe it off or wait for it to dry. This time instead, I added more to see what would happen. And wow! It ran down with all those interesting patterns! I don’t know if the piece was ruined or what – it’s a practice painting anyways, but it made me curious about what else this medium could do! 😉

Focusing on Portraits

I have been more and more focusing on portrait painting in oil recently. Neither do I have the intention to become a portrait artist, nor do I want to switch my main medium to oil. It’s a practical choice. With portrait, I don’t need to spend much time choosing subject matters and thus narrowing on technique. There are plenty free references online, and there’s always the option of a mirror. Plus, it’s easier to find more comprehensive oil classes from online than other painting mediums.

Since last fall, I have taken three portrait classes. The format is similar – the teacher demoed in class, you did your painting at home and submit online for critique. In retrospect, the painting styles I was shown are quite different.

The first one was with an extremely talented young artist, Kailun Qu. Kai painted in alla prima style, fast, spontaneous, and effortless (seemingly). He gave effective critics without reservation, something I’ve been looking for for years. Here’s one of the portraits I did for the class:

Portrait, oil on paper, fall 2020

The next artist I studied with is almost the opposite of Kai. Renowned figurative artist Joseph Todorovitch held a 5 week workshops online, with 4 hours each week. The 20 hours were dedicated to one painting, and in the end he’s not done. Later we received 8 more hours’ demo. Take a look here and you’ll understand why the labored approach is fully justified. It’s quite surreal to witness the birth of a masterpiece, but I have to admit a couple of weeks into the workshop I realized this is way above my weight class. I didn’t spend even half of that many hours on my version:

Alexandra, 20 x 24 in, oil on panel, February, 2021

The most recent class is from Watts Atelier, Portrait in Oil with Ben M. Young. Watts has all sorts of art classes all year long, and is more focused on basic skills. You can choose to audit or participate in the class, and the feedback worths every penny. Here’s one of the class homework:

Portrait, oil on panel, Feb, 2021

The good thing about online classes is that if you pay for the critique, it’s not just a verbal feedback. The instructor could easily paint over digitally to show exactly what he meant. Plus you get to keep a video version and therefore the ability of constant review. I will repeat some of these classes on my own several times to get the most out of them, and probably take a few more from Watts. For the time being, that’s the plan.

Hopefully later on I could carry the techniques I learn this way onto other subject matters and even different mediums.