If you are on the west coast you know what I am talking about. The sky is literally orange the whole day, from Oregon to California! I painted this scenery a while ago, as a sunset scene. I mounted to a cradled wood panel, and varnished it (see my previous post about hanging with frame). I believe the varnish darkened the painting a bit, and the result is a perfect depiction of today:
Orange Day, watercolor on paper,11 x 14 in, 2020
As much as I enjoy being a prophet, I miss my neighborhood’s normal color:
Neighborhood walk 1, watercolor on paper, 9 x 12 in, 2020
Zoltan Szabo (1928-2003) was born in Hungary and later immigrated to Canada, then US. He was a modern master of transparent watercolor, and his technique books are popular among watercolorist. I learned to use big brushes and bold colors from reading his paintings.
The study of “The Last Wink” though, was for a different purpose. It is the harmony of unity of the colors that attracts me. I have a tendency to be too “colorful” with my paintings, and often don’t know how to control it. I like how the colors in this Szabo painting is so rich yet without being noisy.
Zoltan Szabo, The Last Wink, watercolor on paper, 13.75″ x 18″
My copy:
After Zoltan Szabo, watercolor on rice paper, 2019
While Szabo’s original was on cold press watercolor paper, my study was done on pre-matted rice paper. It is intended for Chinese brush painting, and is very delicate and absorbent.
It’s vacation time and I dug out some paintings from previous Hawaiian trips.
Hawaii, beach, watercolor, 2015
I couldn’t remember if this was sunset or sunrise, or maybe it’s just a feeling or memory. One thing I hope this blog would achieve is better documentation of my efforts.