Tag Archives: #inkpen

Hatching, Cross Hatching

I love artworks with beautiful lines or expressive brush strokes. Mark making is an art in itself. One good way to practice line quality is to use a non erasable tool. I used a variety of pens before, dipping pen, micron pen, even ballpoint pen. This week I dug out a cheap fountain pen (the type that Chinese kids used in school to learn writing) and some Faber-Castell Pitt pen, and decided to practice hatching and cross hatching.

There are at least two ways to do hatching (cross or not), one is to follow the form to the object (with the direction of the lines), the other is to use one direction only, and let the value changes indicate the form. My plan was to use the latter approach and focus on value studies, but what I found out is that it’s very counterintuitive not to chase the form.

Portrait of Diana, Faber-Castell pitt pen, 9 x 12 in, April 2020
Serge, Faber-Castell pitt pen, 9 x 12 in, May 2020
Self-portrait, fountain pen, 9 x 12 in, May 2020

Faber-Castell is permanent, while fountain pen ink is somewhat water-soluble. I used a little bit water to wash over part of the drawing and reapplied lines here and there.

I find the sound of a pen scratching over paper very therapeutic, and hatching a great way to exercise control and study value.

Pairs (II) – Color or No Color?

Park in Beijing, Ink drawing
Park in Beijing, micron pen on sketchbook
ink drawing with watercolor glaze
Park in Beijing, mixed media on canvas

I did a sketch with micron pen while traveling in Beijing many years ago. I quite like the result, but also wondered what it would look like with some color. I didn’t want to paint over the drawing, fearing that I might ruin it. So this was the solution I came up with:

  • I first made a photocopy of the drawing.
  • Then I transferred it onto a canvas (‘Glue’ the photocopy onto the canvas with acrylic medium and scrubbed off the paper when it’s dry. The image will stay.)
  • Next I glazed over the image with watercolor. The surface was not comparable to regular watercolor paper, so I only did a few layers of light washes.
  • When it’s bone dry, I varnished it with acrylic medium (gloss). I didn’t know there were spray-on varnishes back then, so I brushed on the medium, It did disturb the paint a bit, but since it’s very dry and very light layers, it’s not that bad.
  • Since it’s varnished, I could hang it without glass. And I still have my original sketch! 🙂