Tag Archives: #zhisuart

Copying Masters (3) – Paul Cézanne

Paul Cézanne  (1839–1906) is probably the most influential Post-Impressionist artist, and definitely the most inspiring for me. His colors are layered and strokes deliberate. It takes a lot more work than it seems. In this study I copied only a small section of the original painting.

Original:

File:Cézanne, Paul - Still Life with a Curtain.jpg
Still Life with a Curtain, circa 1898, oil on canvas

My copy:

Cezanne still life study, acrylic
Cezanne still life study, 2015

Try New Things (1) – Ink Resist with Gouache

I only recently came to know there’s such a thing called ink resist, and was pretty impressed by some of the artworks with this method. So I gave it a try. The result is a meh, but I l had fun and learned something.

Still life, ink and gouache on watercolor paper

So these are the steps I followed:

  • pencil drawing;
  • painting with gouache but leave some area blank; (some people leave only the pencil marks uncovered to achieve neat outlines)
  • after the painting is completely dry, covered the whole page with sumi ink;
  • again, wait till it’s completely dry, wash off the ink (I used the garden hose, no kidding.)
  • and again, wait till it’s dry, and went back to fix here and there. (This step is optional, but I wasn’t that lucky.)

And here are the things I learned:

  • Like drawing on black paper, this method is a bit counter-intuitive. The areas left blank in the first painting round will be the darkest after the wash. So planning ahead is important, which I didn’t do. In my painting, the blacks serve more like random texture than an organic part of the value pattern.
  • The paint should be thick, to “resist” the ink and also because gouache is easy to wash off.
  • This process asks for a lot of patience. 😜

Copying Masters (2) – Van Gogh

This is a study done when I first experimented with acrylic (or painting with anything). I stared at the original for days couldn’t figure out how to achieve that sense of unity. Eventually I decided to paint the whole canvas with a dark shade of burnt sienna and “drawing” on top of it.

Original (from vangoghonline.com)

Still Life With Yellow Straw Hat , 1881-5, oil on paper mounted on canvas (14.25 × 21 in)

My copy:

Copying Masters (1) – Gustave Courbet (1819 -1877)

I believe if there’s a shortcut in learning art, that would be copying masters. It forces me to look at each piece so closely, I start to see not just their composition, color or value choices, but also the procedures in execution. It helps a lot in thinking through and carrying out my own work. I just wish I could do more and more often. [*Most of the copies in this series were done a while ago and the link to the “original” was not necessarily the reference I used at the time.]

The first one is an assignment from a years ago drawing class. Courbet’s (French painter leading the 19th century Realism movement) original is an oil painting, and my copy is done with soft pastel.

Courbet’s (from Wikimedia):

Still Life with Apples and Pomegranate Oil on canvas 17 3/8 x 24 in (44 x 61 cm)

My copy:

What I learned is that pastel is a powerful and versatile painting tool, but it takes patience to build it up. Secondly, it’s not easy to “let it go.” Certain things meant to fade into the background or merge with the environment, but it takes skill and vision to achieve that.